Gender Queer/ Genre Queer Playground Special Issue
Guest Editor: Ronaldo V. Wilson
Obsidian supports—through publication and critical inquiry—the contemporary poetry, fiction, drama/performance, visual and media art of Africans globally. Recognized by the National Endowment of the Arts as one of the premier journals dedicated to Africa and African Diaspora Literatures, Obsidian is published biannually in print and year-round online at https://obsidianlit.org and hosted by Illinois State University.
This special issue of Obsidian: Literature & Arts in the African Diaspora, Gender Queer/ Genre Queer Playground, seeks work that moves between the face of terror and isolation; joy as possibility, necessity, and form. This issue will be a living testament to how trans, genderqueer, and nonbinary writers and artists are often at the leading edge of innovation, pushing the boundaries of genre, broadening the scope of text-based work with other art practices and mediums.
Recess—inspired by the visual artist Ellen Gallagher’s 2001 painted sculpture “Preserve,” (10 x 12 x 32 feet) described in Art in Review as “an expansive, all-white structure of straight wooden dowels designed to resemble a children’s jungle gym, … decorat[ed] … with cut-out pieces of flat rubber … based on Ms. Gallagher’s usual lexicon of google eyes, lips and wavy hair.”
Catch—Gallagher’s minimalist structure, modeled in the context of the “playground,” allows for multiple points of entry, the viewer able to play through a raced, gendered, queer site.
Blacktop. Blackness. Kickball. Tetherball. Double-Dutch. Tag. You’re It. We invite LGBQTIA+++++ of the African Diaspora to come play with us across practices. Please send original short stories, poetry, drama, hybrid genre, creative/critical interventions, interviews, multimedia visual and digital art, as well as music and experimental soundscapes.
Extended Submission Deadline: April 1, 2022
Direct inquiries to: email@example.com
See full guidelines and submit materials and fifty-word bio:
Obsidian Digital Exhibition
Submissions for the Obsidian Digital Exhibition are considered year round.